Fielded is obsessed with scammers and unhinged Japanese cyberpunk

<figure> <img alt="" data-caption="" data-portal-copyright="Photo: Suchimane" data-has-syndication-rights="1" src="https://platform.theverge.com/wp-content/uploads/sites/2/2026/10/fielded_pressphoto_6-Fielded.jpg?quality=90&#038;strip=all&#038;crop=0,0,100,100" /> <figcaption> </figcaption> </figure> <p class="wp-block-paragraph">Lindsay Powell, who releases records under the name Fielded, has spent most of her career subverting expectations and genre conventions. According to their Bandcamp page, Fielded started as an experimental noise project before growing into something closer to R&amp;B. But from moment one, her take on the genre was restless, relentlessly playing with what R&amp;B even means.</p> <p class="wp-block-paragraph">Her first album, <a href="https://fielded.bandcamp.com/album/ninety-thirty-thirty"><em>Ninety-Thirty-Thirty</em></a>, includes songs heavily indebted to '80s synth-pop and features multiple saxophone solos. <a href="https://fielded.bandcamp.com/album/boy-angel"><em>Boy Angel</em></a> is a quirky electronic exploration with huge saw-wave synths, jittery percussion, and sky-high vocal stacks. While 2020's <a href="https://fielded.bandcamp.com/album/demisexual-lovelace"><em>Demisexual Lovelace</em></a> …</p> <p><a href="https://www.theverge.com/entertainment/1017460/fielded-some-kind-of-animal-interview">Read the full story at The Verge.</a></p>